At-Will Adaptation: The Residency

New York, NY, June 30, 2024 - Eli Klein Gallery is thrilled to present “At-Will Adaptation,” a residency featuring residents Quan Wenfei (b. 1992, lives and works in New York), Yang Shuai (b. 1998, lives and works in New York), and Echo Youyi Yan (b. 2000, lives and works in New York). 

The three artists, working in a multitude of mediums such as sculpture, painting, drawing, printmaking, collage, woodwork, metalwork, glasswork, performance, and many others, will create entirely new artworks using the gallery as their studio. Eli Klein Gallery will be open to the public during normal gallery hours throughout the duration of the residency. In addition to demonstrating their creative processes, the artists will also display their existing works that exemplify their practices. The project runs from July 9th and will culminate in a three-artist exhibition opening on Saturday, September 7th, highlighting their newest creations. 

“At-will,” a term commonly associated with employment status, endows equal rights for the employer to fire and the employees to quit at any time. However, this concept often hides the inherent power imbalances between the "masters” and “servants". On a social level, we are supposedly empowered with an absolute liberty in thinking, and freedom in acting. But are we truly liberal-thinkers and free-actors? In reality, we are constantly adapting against our will. AI aids Instagram’s algorithm more effectively than it encourages original thought, and political factions demand absolute loyalty, suppressing all other opposing viewpoints. We are becoming smarter in becoming dumber at adapting. As Herbert Marcuse poignantly pointed out, “The total mobilization of all media for defense of the established reality has coordinated the means of expression to the point where communication of transcending contents becomes technically impossible.”

Artists are the first to recognize this struggle, as contemporary art themes have shifted from a 'human-nature' dichotomy in the 2010s to a 'subjectively human - objectively human' focus, which identifies forced adaptation as a more pressing threat in the 2020s. As recent graduates, Quan Wenfei, Yang Shuai, and Echo Youyi Yan are at the forefront of this battle, working at the intersection of anthropology, sociology, and behavioral studies. 

Quan Wenfei, a self-proclaimed “internet archeologist,” is a highly skilled printmaker. Using oil and silkscreen on canvas (a print-making method popularized by Andy Warhol), Wenfei creates unique works based on retro computer games in the 90s from Solitaire to Minesweeper. These witty images comment on how our aesthetics were trained digitally, and document the brief history of the dopamine-feeding machine. With a unique curiosity in the understudied history of the internet, Wenfei continues to dig in the graveyard of 90s aesthetics, arguing for their importance in contemporary behavioral studies. Wenfei wants to be the ultimate “sky-cam,” who observes the observers (the internet).