Leon the Professional: I want love or death, 2018
Acrylic on canvas
47 1/4 x 78 3/4 inches (120 x 200 cm)
Bean: This is not just a painting, 2018
Acrylic on canvas
39 3/8 x 59 1/6 inches (100 x 150 cm)
The Grandmasters: Kungfu is about precision, 2018
Oil on canvas
26 3/4 x 39 3/8 inches (68 x 100 cm)
The Grandmasters: The world is a big place. Why limit it to North and South? 2018
Acrylic on canvas
61 x 102 3/8 inches (155 x 260 cm)
Batman: You can't make an omelet without breaking some eggs, 2018
Acrylic on canvas
35 7/16 x 47 1/4 inches (90 x 120 cm)
A Better Tomorrow: We were scolded when we were bad. When we turn to be good we are being tracked, 2013
Enamel paint on canvas
39 3/8 x 59 1/16 inches (100 x 150 cm)
Chicken and Duck Talk: The relationship between Chinese boss and his staff is very close, 2018
Acrylic on canvas
59 x 78 3/4 inches (150 × 200 cm)
Curse of the Golden Flower: If a person is sick, they have to be treated, 2017
Oil on canvas
39 3/8 x 59 inches (100 × 150 cm)
Curse of the Golden Flower: You can only have what I choose to give you, 2017
Oil on canvas
39 3/8 x 59 inches (100 × 150 cm)
Curse of the Golden Flower: What I do not give, you must never take by force, 2018
Oil on canvas
39 3/8 x 59 inches (100 x 150 cm)
Forrest Gump: I don't know if we each have a destiny, or if we are all just floating around accidental like on a breeze, 2018
Acrylic on canvas
39 3/8 x 59 inches (100 x 150 cm)
Forrest Gump: You got to put the past behind you before you can move on.
And I think that's what my running was about, 2018
Oil on canvas
39 3/8 x 59 inches (100 × 150 cm)
Godfather II: Keep your friends close but your enemies closer, 2018
Acrylic on canvas
53 1/8 x 78 3/4 inches (135 x 200 cm)
Godfather: Papa never talked business at the table, 2018
Acrylic on canvas
78 3/4 x 110 inches (200 × 280 cm)
Transformers: Every place reminds you of some place else, 2018
Acrylic on canvas
35 x 47 inches (90 × 120 cm)
2046: There is still a chance you will get what you want, 2018
Acrylic on canvas
39 3/8 x 59 inches (100 × 150 cm)
Pollock: This isn't painting, 2018
Acrylic on canvas
39 3/8 x 59 inches (100 × 150 cm)
A Battle of Wits: Victory will come when there is nowhere to retreat, 2017
Oil on canvas
26 3/4 x 39 3/8 inches (68 × 100 cm)
Ashes of Time: It is written in the Buddhist Canon. The flag is still. The wind is calm. It is the heart of man that is in turmoil, 2013
Enamel paint on canvas
39 3/8 x 59 1/16 inches (100 x 150 cm)
City Hall, 2019
Acrylic on canvas
28 x 40 1/8 inches (71 x 102 cm)
Government House, 2019
Acrylic on canvas
11 3/4 x 15 3/4 inches (30 x 40 cm)
New Town Plaza, 2019
Acrylic on canvas
11 3/4 x 7 7/8 inches (30 x 20 cm)
The Grandmasters - Rogues, 2014
Enamel paint on canvas
39 3/8 x 59 inches (100 x 150 cm)
The Grandmasters - Concealment, 2014
Enamel paint on canvas
39 3/8 x 59 inches (100 × 150 cm)
Chungking Express - Expiry date, 2016
Oil on canvas
39 3/8 x 59 inches (100 x 150 cm)
Chungking Express - Tears, 2016
Oil on canvas
39 3/8 x 59 inches (100 × 150 cm)
RockyV: Picasso, 2014
Enamel paint on canvas
39 3/8 x 59 inches (100 x 150 cm)
Ashes of Time - Memory, 2016
Oil on canvas
39 3/8 x 59 inches (100 x 150 cm)
Days of Being Wild - Love most, 2016
Acrylic on canvas
15 3/4 x 23 3/5 inches (40 x 60 cm)
Days of Being Wild - Minute, 2016
Acrylic on canvas
15 3/4 x 23 3/5 inches (40 x 60 cm)
Chow Chun Fai's solo exhibition "Map of Amnesia" is reviewed by Ashlyn Chak from South Asia Morning Post.
Chow Chun Fai's work at The Protest and the Recuperation, Wallach Art Gallery, Columbia University was featured in the New York Times.
Chow Chun Fai's works shown at The Wallach Art Gallery, Columbia University
Chow Chun-Fai discusses his "painting on movies" series and the significance of movies in his personal and professional life
Chow Chun Fai's recent works on local social activities featured on Hong Kong Free Press
Chow Chun Fai's solo exhibition is featured in Art Asia Pacific
Chow Chun Fai's solo exhibition reviewed by Stand News Hong Kong
Chow Chun Fai’s exhibition features depictions of scenes from the recent protests in Hong Kong.
Chow Chun Fai records the reality surreally through his works with more details.
Chow Chun Fai's works transform the area from a manufacturing backwater into a buzzing creative community.
Chow Chun Fai is featured in the January, 2019 issue of The Politics, Yale University's monthly magazine.
Chow Chun Fai's solo exhibition is featured in Artomity's Fall 2018 Editorial.
Flavorwire interviews Chow Chun Fai on his solo show at Eli Klein Gallery.
Mimi Wong from Art Asia Pacific reviews Chow Chun Fai's solo exhibition at Eli Klein Gallery
Chow Chun Fai was interviewed by SinoVision English Channel on his latest solo exhibition at Eli Klein Gallery.
Chow Chun Fai was interviewed by curator Savona Bailey-McClain on State of the Arts NYC at BRIC Arts Media's studio in Brooklyn.
Beyond Chinatown lists noteworthy cultural events and art exhibitions taking place this month.
Chow Chun Fai's "Painting on Movies" series at Eli Klein Gallery is featured alongside a list of impressive gallery shows on view this fall.
Chow Chun Fai is featured among other prominent Hong Kong-based artists and gallerists.
Chow Chun Fai is featured among other prominent Hong Kong-based artists.
Artomity Magazine's Elliat Albrecht interviews Chow Chun Fai about his art and Chinese government.
Katherine McMahon of ARTnews visits artist Chow Chun Fai in his studio in Hong Kong.
Chow Chun Fai is featured alongside other prominent Hong Kong artists in the Culture Trip.
Chow Chun Fai discusses his paintings in the New York Times story by Mike Ives
Chow Chun Fai discusses the political, cultural, and artistic identities in which he aligns himself with.
Chow Chun Fai's solo exhibition "Everything Comes With an Expiry Date" at Klein Sun Gallery is chosen as one of Artnews"Editors’ Picks: 8 Art Events to See in New York This Week."
Chow Chun Fai hopes to expose the New York art world his eastern aesthetic through his solo show "Everything Comes With an Expiry Date," at Klein Sun Gallery.
Chow Chun Fai adresses the perceived relation between his art and politics.
Chow Chun Fai is one of the artists showing at Sotheby’s gallery in Next Destination: Hong Kong, the auction house’s first showcase dedicated to contemporary artworks by homegrown artists.
My Art Guides has a Q&A with Chow Chun Fai.
Chow Chun Fai's exhibit “I Have Nothing to Say” reflects his discern for the government and what is going on in Chinese politics.
Post-ism visits Chow Chun Fai at his studio in the Fotanian art movement in Hong Kong.
Art Asia Pacific deems Chow Chun Fai a reputable artist in Hong Kong as well as an important representative and organizer in his community.
Chow Chun Fai talks about the contradiction between art and politics.
Artforum speaks to Chow Chun Fai at Hong Kong art Basel about the growth of the art scene in Hong Kong.
Supper at Emmaus by Italian Baroque master Michelangelo Merisi da Caravaggio will be housed with work by Chow Chun Fai.
Asia Society shows Caravaggio's Supper at Emmaus alongside Chow Chun Fai's depiction of the infamous painting.
This International art magazine writes about Chow Chun Fai's political career as an artist.
HKHQ.tv visits Hong Kong artist Chow Chun Fai's Fo Tan studio for a look around at some of his most recent work and interviws him about his concerns with the current Hong Kong art scene.
CNN Travel explores artist run studios in Fo Tan.
Christopher DeWolf visits Chow Chun Fai at his studio and learns about his influences as a Hong Kong based artist.
Asian Art News writes about how Chow Chun Fai's use of appropriation and originality correlates with working out of Hong Kong.
Chow Chun Fai is in the running for the Sovereign Art Prize.
Hong Kong Magazine speaks with Chow Chun Fai about how his move from Hong Kong to Beijing has affected his identity as an artist.
